mjj (flemmings) wrote,
mjj
flemmings

Have been thinking about set poetic forms- sonnets, villanelles, rondeaus, sestinas, even ghazals- which all seem to have originated in other languages that all seem to have more possible rhyme words than English. Someone on the FLL talking about sestinas, says
One issue I had with it, however, was that in a conventional sestina, it's pretty obvious from the start what one is doing; the form is like scaffolding left up on a building and to my eye, dominates the subject matter too much.
That seems to apply to everything but the sonnet. (And the sonnet uses a rhyme scheme that English can handle, because it's not too far from the ballad abab that gave us our notions of what rhymed verse can do.) There's one villanelle- Do Not Go Gentle Into That Good Night- and one rondeau- In Flanders Fields- where the form is organic to the meaning. All the others- yes, the scaffolding shows.

Then again, maybe the sonnet exception is because some brilliant poets used it. There are innumerable lacklustre sonnets from the 16th century onwards, and if that was all I'd read, maybe I'd think the sonnet wasn't suited to English either.
Tags: verse
Subscribe

  • (no subject)

    Dank, grey, chill not cold. At least I got my Asia-going cards mailed. Since four weeks isn't nearly long enough in these latter days, they must be…

  • That's a new one

    Last night's frustration dream was having an erotic scenario sabotaged because the dream protagonist, of uncertain sex, was unable to find batteries…

  • (no subject)

    Dear God but Piranesi is oogey-making reading. Like a bad dream or the faintest recollection of something else I read somewhere else but can't trace.…

  • Post a new comment

    Error

    Anonymous comments are disabled in this journal

    default userpic

    Your reply will be screened

    Your IP address will be recorded 

  • 2 comments